Art, Community, and Self-Sustainability Conference 2026

Sustaining Creative Lives

Saturday, April 18, 2026
9:30a – 4:30p
65 W 11th Street

Parsons Scholars is proud to announce the third  annual Art, Community, and Self-Sustainability Conference. This event invites creative communities to connect through conversations and creative exploration focused on sustaining ourselves as artists, designers, educators, and community members.

This year’s theme, Sustaining Creative Lives, reflects our shared interest in exploring how creative practice, community care, and reflection support long-term artistic growth and well-being. This year’s breakout sessions will explore topics such as rest as sustainable practice, letting go of stress, and understanding the power of artists in breaking down systemic barriers.

Schedule

9:30aWelcome
10:30aKeynote: Cynthia Lawson Jaramillo
12:00pMentor Presentations
1:00pLunch
2:00pBreakout Session
3:00pClosing Session: Making with Mentors

Keynote: Making Time to Slow Down

Cynthia Lawson Jaramillo (she/her/ella) is Professor of Integrated Design at Parsons School of Design, a practitioner and scholar of social design and design education, and an internationally exhibited artist. Her artwork centers around themes of time and transience, and her award-winning digital poetry (with S. Strickland) has been performed and presented internationally, including at The Kitchen and HERE Arts Center in New York City, UCLA Hammer Museum in Los Angeles, Point Éphémère in Paris, and the Museums of Modern Art in Bogotá and Medellín, Colombia. The DEED Lab, which Cynthia co-founded in 2007 and currently directs, is known globally for its research on the artisan sector — especially critiquing the role designers and entrepreneurs play in extracting economic value from craft communities. In this keynote event, “Making Time to Slow Down,” Cynthia will share highlights from her art practice, introduce the Sustainable Slowness framework-of-practice she has developed, and engage the audience in a range of exercises around time, slowness, and attention.

Breakout Session

Sign up for one workshop per session. Each workshop has a different capacity, please note these are first come, first serve.

Breakout Session

Rest in Motion: Exploring the 7 Types of Rest Through Art [Room 404]| Lyann Arias

Feeling tired but not sure why? This interactive workshop invites participants to explore the 7 Types of Rest through movement, reflection, and creative expression. Together we’ll engage in somatic activities, guided discussions, and an art-based exercise to help identify the kinds of rest your body and mind may be missing. Participants will leave with a deeper understanding of burnout, practical strategies for restoring energy, and a personalized “rest map” to support their well-being. Whether you’re feeling overwhelmed, mentally drained, or simply curious about healthier ways to recharge, this session offers a supportive space to pause, reflect, and reconnect with what helps you rest and reset.

Stretching, Movement, and Tattooing [Room 406]| Jin Zheng

This session explore how stretching and movement affect art-making and its results. As a tattoo artist, drawing and tattooing is physically demanding, body awareness play a key role in artist performance, it helps with control, comfort, and long-term practice. This session emphasizes basic tattoo posture and the connection between body care and art making and how movement can support better tattooing and healthier art making.

PSP Alumni Residency: Creative Practice, Community Care & Land [Room 407] | Nadia Williams

For the third year in a row, Parsons Scholars Program is collaborating with Pocoapoco to create a week-long residency experience for PSP alumni, this time in upstate NY. In this all-expense paid experience, four PSP alumni will have the space for creative retreat, reflection, collective investigation and community building. Throughout the week, four participants will share, question, and reimagine the role of creative practice and community care in relation to land & territory at the beautiful location of World’s End School, a 107 acre farm in the Mohawk Valley of New York State, through programming created by Pocoapoco.

Join us to learn more about how to apply, or simply to learn more about Pocoapoco, their residencies in Oaxaca, Mexico, and their collaboration with the Parsons Scholars Program. Applications are due April 29th: https://tinyurl.com/PSP-Pocoapoco-2026

Decolonizing Symbolic Imagery and Motifs with Papermaking and Collage [Room 410] | Shormi Uddin

Western symbolism and motifs have been used as tools of domination and oppression. How can artists create work that break away from these patterns? In this workshop, we will look at artists who dedicate their visual practice to address this imagery and use collage and papermaking techniques to make pieces meant to uplift and empower ourselves.

Foam Stamp-Making [Room 458] | Priscilla Villacres

Slowing down and being able to make art in a world where time is a rare and valuable resource means that we need to adapt our artistic practices and make them accessible to us even when we have no energy or drive to create, a symptom of capitalism and toxic grind culture. This foam stamp making workshop, partially inspired by Henri Matisse’s cutouts–which were made by the artist after he became a wheelchair user and partially bed-bound–encourages artists to adapt their practices to be more accessible, manageable, meditative, and able to be done even in bed; at the end of a long day.

Lego of the Stress: Learn to Build…before you Break [Room 464] | Sakina Pitts

This workshop takes a non-traditional approach to dealing with the mental and physical well-being of artists and designers. Through this hands-on experience, using Lego building blocks as a form of expression and a means to articulate feelings, artist will learn a new method to destress. This mental clarity activity will serve to support participants with how to use mindfulness as a tool to heal.

Closing Session: Making with Mentors

Buried, But Still Growing | Alexandra Carmona Pereda

In this session, you will use plants and clay to recreate the technique used to make tamales, rather than making actual tamales. You’ll focus on actions like wrapping, folding, and shaping using natural materials. Flowers will be part of this process. In Latinx cultures and media, flowers often represent memory, family, and resilience—for example, marigolds in ofrendas are used to honor loved ones and keep traditions alive.

As you work, think about how these techniques connect to cultural survival. Even in places like NYC, where gentrification can push cultures out, traditions continue through everyday practices. Just like flowers can grow in tough environments, these techniques are passed down and adapted over time. This activity shows how small, repeated actions can help preserve culture and resist being erased.

Worldbuilding | Antonio Gomez

Artists like Kaws, Takashi Murakami, Verdy, and Spooky Woods all have characters that drive their work. Through sketching and doodling, I find that having a foundation that revolves around character design brings the best out of me as an artist. Having a self created world allows endless possibilities, inculding zines, designed shirts, paintings, and toys.This allows me to create characters like the ones I’ve grown up on and that have shaped me the most as a person and an artist. In this session, I’d like to give the space to the scholars to doodle and come up with a character that they can use for future projects.

Folding Focus | Emy Goris

This session explores how social media influences attention span through a hands-on, collaborative activity. Participants will be paired in groups of two and guided through the process of creating origami pieces of their choosing. The exercise emphasizes focus, patience, and clear communication, encouraging participants to follow step-by-step instructions while supporting one another. By slowing down and engaging in a tactile, screen-free practice, participants will reflect on how sustained attention feels in contrast to the fast-paced nature of digital media. The session also opens up space for conversation about distraction, multitasking, and the ways social platforms shape how we process information. Through making and collaboration, this workshop invites participants to reconnect with concentration, intentionality, and shared problem-solving.

To Tell Is To Exist | Olivia Solis

Participants will use hand-operated moving panoramas to scroll long sheets of paper. They will illustrate/ collage along the length of the paper to express aspects of their own identity through visual storytelling.

Self-Portrait Zine Making | Rosa Acevedo

Zines and other printed media have historically been a way to create community and share knowledge. For this workshop we will be creating zines that connect the personal histories we come from to knowledge we’d like to share with our communities. Drawing from George Ella Lyon’s I Am From Poem, we will create mini zines that illustrate and explore a part of our personal identity and the knowledge that emerges from this part of our identity.

Speaker Bios

Keynote

Cynthia Lawson Jaramillo

Cynthia Lawson Jaramillo (she/her) is a Colombian artist, technologist, and educator. She is Professor of Integrated Design at Parsons School of Design. Cynthia’s research, through the DEED Lab, focuses on the role designers and entrepreneurs play in either extracting money and value from craft communities, or in co-creating sustainable futures with artisans and their children. Her artwork, centered around themes of time and transience, has been internationally exhibited and performed, including at The Kitchen, UCLA Hammer Museum, and the Museums of Modern Art in Bogotá and Medellín (Colombia). A Fulbright Scholar, Cynthia has lectured internationally on design, education, technology, and social practice, including a TEDx talk on redesigning higher education. Cynthia received her B.S. in Electrical Engineering from Universidad de los Andes (Bogotá) and a Master’s in Interactive Telecommunications from New York University’s ITP. She lives in one of Brooklyn’s smallest neighborhoods – Greenwood Heights.

Breakout Session #1

Lyann Arias

Lyann Arias is an education and mental health professional with over a decade of experience supporting students and communities across K-12 and higher education. Her work focuses on helping individuals build confidence, navigate academic and personal challenges, and access opportunities that support long-term growth and well-being.

Lyann serves as a Youth Advocate Counselor with the Parsons Scholars Program at Parsons School of Design, where she supports young artists in exploring their creativity while developing social-emotional and academic skills. She also currently serves as Director of the TRIO SSS Pathways to Success Program at Lehman College, where she works closely with first-generation and historically underserved students to support academic success, leadership development, and college persistence.

Lyann is passionate about the connection between education, mental health, and the arts, and believes creative and cultural experiences can play an important role in fostering resilience, self-expression, and community connection.

Jin Zheng

Jin Zheng is a Brooklyn-based tattoo artist specializing in fine-line, nature, and Asian-inspired designs. Their work blends precision with storytelling, focusing on flow, composition, and skin as a living canvas.

Nadia Williams

Nadia Williams is full-time faculty at Parsons. She has collaborated on a range of university-wide social justice and access initiatives, and is continually impressed by the continuum of students who hold The New School accountable to social justice values. Her creative practice involves creating textiles as a practice of freedom, healing, and an exploration of her roots in México, Panamá and Jamaica. Among the work she has learned the most from has been collectively developing a framework for the Parsons Scholars Program through which the experiences of people of color from low income backgrounds are centered in the exploration of art, design and social justice. Nadia’s life was deeply moved by the people and culture of Mexico while living there for five years, and she’s excited to collaborate on creating the opportunity for PSP alumni to grow within a framework grounded in Mexican knowledge.

Shormi Uddin

Shormi Uddin is a painter, Teaching Artist and Queens native. Her work deals with the patterns of life. Whether through design, routine or tradition – she is interested in what makes us comfortable and conflicted in what we inherit from family, land and culture. She wishes to express the energies that are changing and waiting to be moved, energies that exist around us and inside of us at the same time. The scenes and patterns present in her work are influenced by moments in quiet observation and worldly matters; when physical distance between people does not feel so empty. She is influenced by architecture, designs and scapes that have existed or repeated for centuries.

Currently a Teaching Artist with School Programs at the MoMA and HeyCurated, she teaches filmmaking and illustration to NYC teens with the Summer Youth Employment Program’s Project Based Learning Curriculum. She previously worked as a Museum Educator at the Children’s Museum of Manhattan for 6 years.

Priscilla Villacres

Priscilla Villacres is a practicing artist born and raised in Queens, NY. She is a first generation American citizen who received her BFA from Parsons School of Design in New York City. Professionally, she works as a luxury glass, metal and plastic engraver.

Her work spans themes of family, self, class, and identity. She often works with her family archives, leaning on her Colombian and Ecuadorian roots. Found objects juxtapose drawings, engravings, paintings, and photographs. She builds altars, and displays chucherías and “trash.”

Villacres’ practice is largely based on archiving–preserving and building–and self portraiture. She pulls from her lived experiences as well as the lived experiences of her family matriarchs. She is working to break cycles, honor, and preserve the narratives of those she holds close to her, as well as her own.

Her work takes on a very kitsch and almost fully maximalist aesthetic, which borrows from immigrant and working class homes. The work is influenced by a particularly gendered sense of domesticity, which is central to her practice.

Sakina Pitts

SAKINA PITTS| Principal
Transformative Leader| Change Agent| Principal Barrrzzz

Sakina Pitts is a fearless, thoughtful, and bold leader. She learned these
very principles growing up in Newark, NJ and being educated by the
Newark Board of Education’s public schools. Sakina has been the proud
appointed Principal of Chancellor Avenue School located in the South
Ward of Newark “Brick City” for five years prior to her becoming the
appointed Principal of Newark School of Fashion and Design in 2021. She
is an active member of the Educational Coalition “Off School Grounds”
(OSG) since its inception and collaborates weekly with like-minded School
Leaders around the country who are dedicated to closing equity gaps and
creating real change in the school-wide communities they are servant
leaders of across the nation. Principal Pitts is also an engaging public
speaker who is passionate about infusing Hip Hop culture into education.
She uses rap as an artform to connect the learning to the students’
sensibilities. She can be seen around her school building, in her
educational leadership forums, leading administrative meetings and
connecting with her community dropping lines. Any chance she gets, she
is quick to “spit barrrrzzzz”, especially in the name of education…ergo…Principal Barrrrzzzz.

Breakout Session #2

Alexandra Carmona Pereda

My name is Alexandra Carmona, and I am a mixed media artist passionate about advocating for social justice issues. My work revolves around societal human concerns I see affecting individuals in their community, in addition to work that explores their own personal life. Growing up in the Bronx, I have been able to dive deep into systemic racism, generational trauma, poverty, and youth issues such as the over-surveillance of youth in schools.

Antonio Gomez

Antonio Gomez is a Designer from Brooklyn, New York who specializes in Multi-Media art that revolves around graffiti and his own Mexican Identity. He specializes in various printmaking techniques, Adobe software, and clay.

Emy Goris

I’m Emy! A student at Parsons School of Design and a Hispanic Ecuadorian-Dominican American artist from Queens, New York. My practice is rooted in mixed media and multidisciplinary work, blending materials like clay, projection, and digital animation to explore transformation, identity, and perception. I’m especially interested in how physical and virtual elements interact—how something tangible can shift through light, texture, and time. Growing up in Queens, I’ve been influenced by layered cultures, movement, and constant change, which continues to shape my approach to making. Through my work, I aim to create immersive experiences that feel both personal and adaptable, pushing boundaries between mediums while staying connected to storytelling and experimentation.

Olivia Solis

Olivia Solis is an illustrator working in comics and animation, using storytelling to capture moments between memory and imagination. Her work is shaped by transformation, adaptation, and exploring evolving identities. In some cases, drawing from Mexican heritage as well as broader social themes, she creates narrative-driven pieces that center community, lived experience, and the connections between personal and collective histories. Through still and moving images in order to approach storytelling as a living process that preserves, reimagines, and carries ideas forward.

Rosa Acevedo

Rosa Acevedo is an educator, printmaker, and mixed-media filmmaker. They find their place in the struggle for liberation at the kids’ table, where wonder and imagination are tended to carefully as an act of defiance against the systems of oppression actively fighting to inhibit our innately human urge to dream. Being a queer artist from South Texas, they create from the in between, la frontera. Here, art becomes a means to understand and dismantle the dichotomies they find themself situated between. Their making-based practices become a way to carve out space for what they call the “secret third thing.” The divine space of the “secret third thing” is a space of curiosity, experimentation, and tension– existing in flux and challenging the boundaries of what it means to be “other.” From printmaking to collaging, to filmmaking, to dancing, and beyond, for Rosa, creating art is an embodied practice of repair, both collectively and individually.